While vague "new jack" is in its infancy, the insightful Reginald Hudlin concocts this light comedy and sympathetic to ISTRIBUTION by New Line Cinema.

He had an altercation with the three big arms (Full strength) of high school and gets a warning. He tries to hide the penalty to his father, Pop

Kid manages to sneak in while his father dozes but the trouble will continue: the big guys of college want revenge and beat him up while two white policemen harass ...


The plot is light, sure. But is the multitude of sketches schedules, descriptions, and the myriad twists of secondary characters who give this movie a definite attraction. Hudlin can give life to his characters and, with the air of not touching it, he mentions the condition of African Americans, particularly young people.

Thus, 20 years later, this comedy is even an air of nostalgic story about hip-hop old school (as well as dance, dee-jaying or "battles") and concerns of youth.
This is also the rap duo Jazzy Jeff & the Fresh Prince (in which young Will officiated Smith) who was approached by Hudlin camping heroes. It finally Kid'n Play, composed of both Christopher and Martin Reid, who won the top billing. And the Goblet of Kid will also be required in almost all the wave of urban films, and youth in general. Another "team" this here: the little known but nevertheless prolific producers Full Force (Bowlegged Lou, Paul Anthony, B-Fine) who play the bad boys.

Special mention to Robin Harris, who died suddenly broke into promising career with full benefits noticed in only five films: I'm Gonna Git You Sucka , Do the Right Thing, Harlem Nights , Mo 'Better Blues and it.

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